A complete identity and digital product for a regional network provider — a wordmark that works at 12px and 12 metres, a bilingual typographic system, and a customer portal designed around the three things people actually come to do.
“They asked better questions than we did. The identity has held up across every touchpoint for a year now, and the portal cut our support calls by a third.”
Farid Rahimi, Chief Marketing Officer
Editorial system, cover programme and website for an independent publisher of essays and long-form journalism. Built to make thirty titles a year feel like one family without looking like a template.
“Booksellers started recognising our spines from across the room. That was the whole brief, really.”
Leila Haddad, Publisher
Identity and portfolio website for a Scandinavian architecture practice. Restraint was the brief: a wordmark, a grid, and photography given all the room it needs.
“It looks like our buildings feel. That is the highest compliment we know how to give.”
Mats Norrgård, Founding Partner
A 120-page annual report for an infrastructure group — financial statements, a photographic essay across four countries, and a data section people actually read.
“Our auditors complimented the typography. We did not know that was possible.”
Sarah Whitfield, Head of Communications
Website and art direction for an interior design studio: a catalogue of rooms, a materials library and a booking flow, held together by warm photography and generous whitespace.
“Clients now arrive to the first meeting already knowing what they love. It changed how we work.”
Roya Kaveh, Principal
Packaging, product photography and e-commerce for a homeware brand launching with eleven objects and no marketing budget. Everything had to earn its place.
“We sold out the first run in nine days. The photography did most of the work.”
Jonas Beck, Founder
Specimen website and poster series for a small type foundry. The typefaces are the content — the site had to get out of their way while still being a pleasure to use.
“People buy the fonts because of the posters. We did not expect print to sell software.”
Ana Ferreira, Type Designer
Brand identity, wayfinding and website for a network of workspaces. A system that scales from a door plaque to a six-storey building without losing its warmth.
“Members quote the signage to us. We think that means it works.”
Daniel Osei, Managing Director
